What you are about to see here is a week-old, mind-blowing example of data mining and passion. A talented young man by the name of Ophir Kutiel, a.k.a Kutiman, poured through the countably many videos on YouTube of people playing music, practicing instruments, jamming, or showing off their mad skills and love of music and created beautifully lyrical mash-ups that musically surpass most of these performances by a few miles.
John Peters, in his book, Speaking into Air, claims that “in the age of electronic media, [communication] has become the art of reaching across the intervening spirits to touch another’s body (p.225),” and I could not agree with him more.
As the talented Erin McKeown sings: “there is hope in poetry, comfort in fiction.” There is, indeed, pleasure in the physicality involved in creating something heartfelt, even as simple as a webcam video of you attempting to sing, and then sharing that with others. That pleasure is only surpassed at the moment it generates a physical response in another, the moment were the bodies in the medium are moved to action. The soaring popularity of Kutiman’s videos clearly attest to that. Kutiman was moved to create an amazing project in six movements joining lots of people in their private act of music creation and connecting their efforts.
We all want to feel a sense of connectedness and belonging. Even when we are singing loud in the shower, we are hoping someone is listening. What Kutiman created here is an extraordinary moment of someone from the apartment next door joining in your shower-singing in a duet across the walls the separates you.
While there is comfort in ambient presence, the real potential for social media is when the electronic connectedness finds a way to generate a visceral response.
The crowd was not wise on its own, it needed a human filter to cut through the noise, see a potential, and realize it. I encourage you to check out the full project with links to the source videos at Thru-You.com.
crossposted at armyoffools.net

















(5 votes, average: 4.80 out of 5)
Get email updates
One Comment, Comment or Ping
Suna
This is one video that’s still going to be cool in a year from now, just from its shear awesomeness. It’s the ultimate mashup of mediocrity that together becomes great because of a visionary/creative genius.
The NY Times Magazine’s Virginia Hefferman recently wrote an article about this. (See “World Music”, http://www.nytimes.com/2009/05/03/magazine/03wwln-medium-t.html). At the very end of her article, under “Points of Entry” she points out the similarity to Thru-You and The Beatles “Revolution 9,” a classic sound collage from The Beatles’ 1968 White Album, which one either loved for it’s originality or loathed for its cacophony. http://www.beatlesbible.com/songs/Revolution-9/
No doubt Revolution 9 inspired others to try out their own collage sound; however, what makes Kutiman’s video so different is the whole range of musicians making music and seeming to play together… and yet not. Nor heck, do they even know each other.
What will be interesting if others try to do the same thing. Or create video responses. My guess is that this is so hard and complicated (and the need for real musicality and training is apparent) that there won’t be as many as we’d like to see.
So, what really makes a band? And can they have groupies?
May 11th, 2009
Reply to “The Potential of the Crowd – The Case of Kutiman”