āIām somewhat of a biographical illustrator,ā says Miguel Rep in an interview with PERFIL. This statement holds truth. His distinctive style has captured the likenesses of cultural icons such as Evita, Maradona, Julio CortĆ”zar (in a āRayuelisticā way), and Messi, among others. Now, he has illustrated a book about Jorge Luis Borges, written by VerĆ³nica Abdala. This endeavor aims to demystify a figure deeply ingrained in national literature, as the cultural journalist and the illustrator encourage discussions about an author who is always worth mentioning.
Rep embodies perseverance; he has published his strips in PĆ”gina/12 since its first issue. Whenever a book featuring his unique āgrotesque lineā appears, itās wise to pay attention. Each publication seems like an invitation to explore the interpretations and distortions of reality housed within its pages. His choice of subjects often presents a challenge, focusing on canonical figures like those previously mentioned, along with other iconic personalities treated with originality. He enriches the cultural landscape with his takes on The Beatles, Don Quixote, Peronism, Charles Bukowski, and Danteās “Divine Comedy,” to name just a few.
Without much fanfare, his illustrated biography of Borges has emerged as part of the DĆŗo collection, which pairs āa writer and an artistā in a playful format. Borges’s work, often revisited by critics, tends to attract two types of readers: those who are passionate enthusiasts of his themesāranging from labyrinths to literature, history, daggers, and tigersāand those who feel lost or overwhelmed. The aim to make Borges more accessible and encourage reading also carries a pedagogical responsibility. His own identity has become a prominent topic in popular culture. Borges’s musings on whether he is writing himself or āthe otherā evoke literary games and philosophical dilemmas that continue to resonate. āBorges’s favorite subject was Borges, and thatās exactly the topic I love to drawāmore than labyrinths, tigers, or daggers,ā Rep describes.
When asked how the project came about, Rep reveals, “They proposed it to me, and since I had just completed a large mural of his figure in Mar del Plata, I took it on with enthusiasm.”
As for what Borges represents to him, Rep states, “For me, Borges is the pinnacle of the joy of reading. He is the ultimate reader, and one aspires to be a better reader of both Borges and what he read.”
Is drawing Borges challenging? āItās a joy to illustrate him. I have him in my hand, almost like a sixth finger. I can draw him almost blindlyāethereal, fragile, whimsical, distracted, mischievous, wise, almost like a baby.ā
Rep distinguishes the process of creating a book from his daily work: āI sit down to make a book like it’s an island from my daily tasks. I know I will always have that island, either alone or with others.ā
On the famous topics Borges explored, Rep shares, āMy Borges is the humorous Borges, the writer, the reader.ā
Regarding the potential reaction to his book, similar to the mixed responses for āEvita, Nacida para Molestar,ā he notes, āI didnāt draw this to provoke. That would be another book. This one is in collaboration with VerĆ³nica Abdala. But yes, Jorge Luis Borges was born to stir things up.ā
He acknowledges the challenging times we live in. āTimes are always difficult, but there is always a moment for laughter. Life consists of both drama and humor.ā
Lastly, discussing the power of illustration in eliciting laughter, Rep muses, āI donāt really know what humor is, but I have had my grotesque line from the start. That means I reject the world as it is. My work is about expressionism, paradox, and seeing if I can occasionally create a good drawing.ā
Source: https://www.perfil.com/noticias/protagonistas/mi-borges-preferido-es-el-el-humorista-el-escritor-y-el-lector-dice-miguel-rep.phtml