India’s Doc Film Bazaar, an integral part of the Mumbai International Film Festival, has announced the winners of its first edition. The awards, sponsored by Prasad Lab, aim to support post-production, especially in digital intermediate (DI) services.
The top honor went to “Hearsay,” directed by Sraman Chatterjee and Meghla Dasgupta. This 108-minute feature, set in Kolkata, explores the revival of Tapan Theatre. It captures the journey of four actors working on a play amidst the historical venue’s resurrection post-COVID. The film received a free DI and 4K output for 50 hours.
“I’m Not Home,” directed by Naveen Pun and edited by Abhro Banerjee, and “Where is My Home?” by Digvijay Thorat and Ashwini Dharmale with editor Abhijeet Sable, both received appreciation awards. These projects will get a 50% discount on DI services. “I’m Not Home” is a 148-minute narrative about Shau, a former Mumbai Mafia member now living as a nomad. “Where is My Home?” is a 60-minute Marathi-language film highlighting the challenges faced by an elderly woman seeking stability.
The Doc Film Bazaar Recommends award went to “Rukhu Matir Dukhu Majhi” by Somnath Mondal. This 28-minute Bengali documentary profiles Dukhu Majhi, an old man who combats harsh environmental conditions by planting and nurturing trees in his village.
“Hearsay” stands out for its unique narrative set in Kolkata’s Tapan Theatre. The film delves into the transformation of a decaying playhouse into a cultural hub, narrated through the experiences of four actors.
“I’m Not Home” follows Shau, an ex-Mumbai Mafia member, on a poignant journey to reconnect with his family, questioning themes of freedom and belonging.
“Where is My Home?” is a touching narrative about a granddaughter’s efforts to care for her neglected grandmother, examining family dynamics and the plight of the elderly.
“Rukhu Matir Dukhu Majhi” documents an illiterate villager’s unique and selfless mission to combat climate change by planting trees in extreme conditions.
The awards at the Doc Film Bazaar highlight the diverse and rich storytelling emerging from India. The recognition of “Hearsay” and other films underscores the importance of supporting post-production efforts to bring these stories to a wider audience.
