Carole King’s influence on pop music is undeniable, and her song “It’s Too Late” from the album “Tapestry” stands as a testament to her revolutionary impact. The singer-songwriter genre, which emerged around 1970, often includes names like James Taylor, Joni Mitchell, Cat Stevens, and Jackson Browne. However, Carole King epitomizes this movement, bringing a unique voice and emotional depth to her music.
James Taylor, who collaborated with King on his “Sweet Baby James” album, recalls their musical synergy. He describes how they shared a common musical and emotional language, which was evident in their work together. King’s transition from New York to Los Angeles marked a significant change in her life. Leaving behind a successful career as a Brill Building songwriter with her then-husband Gerry Goffin, she ventured west with her two young daughters. This move allowed her to write from her own experiences, resulting in songs that felt both fresh and familiar.
King’s focus on her family and her music set her apart from her contemporaries in Laurel Canyon. She balanced her personal life with her professional endeavors, creating songs that resonated deeply with listeners. Her ability to capture universal emotions in her music made her a beloved figure in the industry.
Roberta Flack, who included King’s “Will You Still Love Me Tomorrow” in her repertoire, highlights the vulnerability and introspection in King’s songwriting. Flack’s collaboration with Donny Hathaway on “You’ve Got a Friend” further exemplifies the emotional depth of King’s work. Tori Amos, who was introduced to “Tapestry” at a young age, describes the album as a profound experience that felt like Mother Earth herself was singing.
MC Taylor of Hiss Golden Messenger notes that albums like “Tapestry” are rare because they require a mastery of a language that King invented. The album’s plain-spoken and easy feel contrasts with the emotionally supercharged records that followed. Rickie Lee Jones, who grew up listening to King’s songs, emphasizes the timeless quality of her music. “Up on the Roof,” recorded by the Drifters, remains a classic, capturing the essence of finding solace in a hectic world.
“Tapestry” was a pivotal album, signaling a desire for simple and beautiful songs. King’s hit “You’ve Got a Friend” was written for Goffin, who struggled with mental illness, to let him know she was always there for him. The album’s success roots listeners to their musical history, overcoming trends and continuing to sell year after year. The cover of “Tapestry,” featuring King in a calm and peaceful pose, reflects the timeless nature of her music.
Randy Newman praises King and Goffin as some of the best popular songwriters of the last half of the 20th century. Sharon Van Etten shares how “Tapestry” was a bonding experience with her mother, and how King’s music influenced her own path as a singer. Joan Armatrading simply states that “Tapestry” is one of the best albums ever by one of the best songwriters ever.
Devendra Banhart appreciates the welcoming atmosphere of the “Tapestry” cover, which contrasts with the artifice of the time. He describes the album as a meeting point between popular and underground music, with themes of self-discovery and nostalgia. Lucinda Williams, who was influenced by King’s music as a teenager, learned to accept her own voice through King’s example.
Danielle Haim recalls how “Tapestry” was a key record in her household, influencing her and her sisters’ music. Margo Price describes the album as a masterclass in blending folk, soul, rock, and blues. Natalie Merchant reflects on how “Tapestry” was part of the soundtrack of her childhood, capturing the seismic changes of the times.
Rufus Wainwright sees “Tapestry” as a blueprint for songwriters in LA, praising King’s ability to remain a good parent and a successful artist. Natalie Mering of Weyes Blood relates to King’s musical sensibility and the balance between popular and underground music. Stephin Merritt of the Magnetic Fields highlights the radical simplicity of “Tapestry,” while Lucy Dacus appreciates King’s clever songwriting and universal appeal.
Merrill Garbus of Tune-Yards admires the unpretentious production of “Tapestry,” allowing the songs to shine through. Bethany Cosentino of Best Coast shares how the album was a bonding experience with her mother and influenced her own music. The cover of “Tapestry,” featuring King with a cat, opened up the possibility of being a humble and human musician.
Carole King’s “It’s Too Late” and the “Tapestry” album revolutionized pop music by bringing a personal, emotional, and timeless quality to the genre. Her ability to capture universal experiences in her songs has left an indelible mark on the music industry, inspiring countless artists and listeners alike.
Source: The Guardian, Rolling Stone, NPR
