The small screen is heating up with a variety of new and exciting projects. Osgood Perkins’ latest horror chiller, “Birds & Tigers & Bears, Oh My,” is generating buzz with its mysterious plot and chilling atmosphere. Meanwhile, the Emmy nominations are set to be announced on July 17, adding to the anticipation in the television industry.
In the realm of film, Channing Tatum stars opposite Scarlett Johansson in Greg Berlanti’s screwball comedy, which humorously reimagines the Apollo 11 landing as a staged event orchestrated by someone other than Stanley Kubrick. This fresh take on a historical event promises to deliver laughs and intrigue.
Ti West, a notable writer and director, recently appeared on the Filmmaker Toolkit podcast to discuss his ambitious return to horror filmmaking. His insights into the genre and the creative process are sure to captivate fans and aspiring filmmakers alike.
The actress from the Netflix hit “Baby Reindeer” shared her excitement with IndieWire after the show won its first award of the season. She reflected on her journey in the industry and the impact of being part of such a successful project.
IndieWire continues to be a leading source for news and reviews on independent film and television. The site’s writers cover a wide range of topics, from movies and shows to industry trends and beyond.
Penske Media Corporation (PMC) has recently acquired IndieWire.com, further expanding its portfolio of entertainment content and news businesses. This acquisition includes other prominent brands such as Variety, Deadline Hollywood, TVLine.com, and more. The financial details of the acquisition from SnagFilms Inc., which owned IndieWire since 2008, were not disclosed.
Jay Penske, Chairman and CEO of PMC, expressed his admiration for IndieWire’s dedication to independent film and its innovative approach to digital media. He sees this acquisition as an opportunity to enhance IndieWire’s coverage of the TV industry, digital platforms, and emerging OTT services.
Over the past two decades, IndieWire has become an iconic brand and a must-read destination for filmmakers, industry leaders, and fans of independently-produced movies and TV content. Under SnagFilms’ ownership, IndieWire continued to grow its reach and influence within the journalistic and creative communities.
Rick Allen, CEO of SnagFilms, believes that PMC will provide the best home for IndieWire moving forward. He is excited about the future possibilities under Jay Penske’s leadership, which will allow IndieWire to join some of the most powerful properties in entertainment and culture.
Dana Harris, IndieWire’s Editor-in-Chief, expressed pride in the team’s accomplishments and the brand’s growth over the years. She is optimistic about the opportunities that PMC’s resources will bring, enabling IndieWire to expand its unparalleled coverage of film, television, and more.
IndieWire, established in 1996, has evolved from a focus on independent film to include mainstream film, television, and streaming media. The site has a dedicated staff, including publisher James Israel, editor-in-chief Dana Harris-Bridson, and editorial director Kate Erbland.
The site has received praise from various quarters. In 1997, Wired highlighted IndieWire’s unique position in covering independent film festivals and the indie film scene. Forbes recognized IndieWire in 2002 for its vibrant community of filmmakers and its comprehensive coverage. Roger Ebert also praised the site for its contributions to film criticism.
IndieWire has won several accolades, including the Webby Award in the Movie and Film category in 2012. In 2022, the site’s entire staff was honored by the Los Angeles Press Club for their compelling and thought-provoking coverage of entertainment issues.
The IndieWire Critic’s Poll is an annual event that recognizes the best in American and international films across various categories. The winners are chosen by votes from IndieWire critics and other invited critics from around the world.
Jeff Lipsky, co-founder of October Films, shared his thoughts on the future and profitability of independently produced and distributed films. He emphasized the importance of transparency in New Media numbers and the need for distributors to prioritize returning revenue to filmmakers.
Lipsky also discussed the unique value of theatrical releases, which remain immune to the cannibalization seen in other home entertainment platforms. He highlighted the significant revenue generated by independent films and the potential for continued success in the market.
He suggested innovative ways to capture the attention of potential audiences while reducing marketing costs. Lipsky also advised filmmakers to approach domestic film festivals with caution, as they can sometimes limit a film’s potential audience.
Lipsky proposed a nationwide educational program to cultivate a passion for independent film among young audiences. By screening classic and recent independent films for junior high school students, he believes the industry can grow the next generation of filmgoers.
Finally, Lipsky reflected on the state of film criticism and trade media. He emphasized the need for strong regional film voices and the importance of quality film criticism in motivating moviegoing. He also questioned the role of trade media in the current landscape, suggesting that the demystification of filmmaking has made watching movies less personal and thrilling.
IndieWire remains a vital platform for news and reviews on independent film and television, continuing to influence and inspire the industry and its audience.
Source: IndieWire, Variety, The Hollywood Reporter, Forbes, Wired, Roger Ebert, Webby Awards, Los Angeles Press Club
