Actor Kit Harington has come to the defense of his new play, “Slave Play,” which features dedicated performances for black audiences, asserting that the initiative does not discriminate against white individuals. The play has stirred controversy since the announcement of two “black out” nights during its 12-week run in London’s West End.
Former Prime Minister Rishi Sunak criticized the initiative, labeling it as “wrong and divisive.” However, Harington, who stars in the production, expressed his belief that the black out nights are a positive development. In an interview with Laura Kuenssberg, he described the first black out performance as an “incredible show.”
Harington emphasized that white individuals are not barred from attending these performances. “If you are white, no one’s stopping you from buying a ticket,” he stated. “It’s saying, ‘We would prefer the audience to be this.'” He reflected on his own experiences in predominantly white theater spaces, arguing that the notion of discrimination against white people in this context is “vaguely strange and ridiculous.”
“Slave Play,” written by Jeremy O. Harris, is set on a plantation in the old American South and delves into themes of race, identity, and sexuality. The play has garnered significant acclaim, receiving 12 Tony nominations during its Broadway run, although it did not win any awards.
Harris has previously articulated the importance of creating spaces where black audiences feel invited and safe. He noted that the black out nights are designed to allow black audiences to experience the play without the “white gaze,” fostering an environment where they can react freely and authentically.
The second black out performance is scheduled for September, and Harington shared that the energy during the first event was unlike anything he had ever experienced. He believes that providing a space for a specific group of people to engage with the play in a supportive environment is a valuable initiative.
Co-star Olivia Washington echoed Harington’s sentiments, sharing her excitement about seeing a diverse audience in a 900-seat theater. She expressed that it was a unique and special experience, particularly given the challenging subject matter of the play.
The producers of “Slave Play” have clarified that their intent is to celebrate the play with the widest possible audience. They emphasized that no one will be prevented from attending any performance, reinforcing the idea that the black out nights are not about exclusion but rather about creating opportunities for underrepresented audiences.
Critics have generally responded positively to the West End transfer of “Slave Play.” The Guardian described it as “charismatic, needling theatre,” while the Evening Standard praised its boldness and wit. However, some critics have expressed mixed feelings about the black out initiative, questioning whether it affects audience engagement and dialogue.
Despite the criticism, many ticket buyers have applauded the black out nights, viewing them as an opportunity for more people to experience theater. Some have noted that the initiative is not about exclusion but rather about addressing the disparities in access to cultural experiences.
Harington’s defense of the black out nights comes amid ongoing discussions about inclusivity in the arts. The initiative aims to create a space where black audiences can feel comfortable and supported, allowing for a different kind of engagement with the material.
As the conversation around race and representation in theater continues, “Slave Play” stands as a significant work that challenges traditional narratives and invites audiences to confront complex issues. The black out nights are part of a broader effort to make theater more accessible and welcoming to diverse audiences.
In conclusion, Kit Harington’s defense of the black out nights for “Slave Play” highlights the importance of creating inclusive spaces in the arts. By inviting black audiences to engage with the play in a supportive environment, the initiative seeks to address historical disparities in access to theater and foster a sense of belonging.
Source: BBC News, The Guardian, Evening Standard, Sky News
