If you found yourself disappointed by “Bad Newz,” you’re not alone. The film, a sequel to the somewhat enjoyable “Good Newwz,” has left many viewers yearning for something more substantial. It’s a comedy that attempts to tackle themes of modern family dynamics and women’s empowerment but ultimately falls short, leaving audiences frustrated and unimpressed.
“Bad Newz” follows the story of Saloni Bagga, played by Tripti Dimri, a talented chef whose life takes unexpected turns. The film begins with a rather confusing premise, as Saloni is approached by Ananya Panday, who plays herself, to discuss how she should portray Saloni in a biopic. This meta-narrative sets the stage for a story that quickly spirals into a series of clichés and predictable plot points.
The film’s initial charm lies in the budding romance between Saloni and Akhil Chaddha, portrayed by Vicky Kaushal. Their chemistry is palpable, and the first half of the film offers a glimpse of what could have been—a light-hearted exploration of love and ambition. However, as the story progresses, it devolves into a tired trope of male characters vying for attention while sidelining the female lead.
The narrative takes a sharp turn as Saloni’s life becomes entangled with two men, leading to a complicated situation involving unexpected pregnancies. The film attempts to introduce the concept of heteropaternal superfecundation, a scientific term that could have been an interesting plot device. Instead, it feels like a rushed explanation meant to gloss over the film’s deeper issues.
As the film unfolds, it becomes increasingly difficult to take the characters seriously. The humor often falls flat, relying on outdated jokes and regressive stereotypes. The portrayal of consent, for instance, is treated as a punchline rather than a serious topic, which is particularly troubling in today’s context. The film’s attempts at humor often overshadow the more profound themes it could have explored, such as the complexities of modern relationships and the pressures women face in balancing career and family.
The supporting characters, including a quirky aunt and a detective uncle, feel like mere afterthoughts, added for comedic relief but lacking any real depth. Their presence does little to enhance the story, and instead, they contribute to the film’s overall sense of disarray. The film’s pacing suffers as it shifts focus from Saloni’s journey to a competition between the two men, reducing her character to a mere plot device.
Despite the film’s shortcomings, it does touch on relevant issues such as the societal expectations placed on women regarding motherhood. Saloni’s reluctance to become a mother is a significant aspect of her character, yet the film fails to explore this theme with the nuance it deserves. Instead, it resorts to tired clichés, leaving viewers feeling unsatisfied.
In a landscape where films like “This Is Us” have successfully tackled complex family dynamics, “Bad Newz” feels like a missed opportunity. The film could have delved into the intricacies of co-parenting and the emotional challenges faced by modern families. Instead, it opts for a shallow portrayal of relationships, leaving audiences craving a more meaningful narrative.
For those who enjoyed “Bad Newz” but are looking for films that offer a similar blend of humor and heart, there are several options worth exploring. Movies like “Kicking & Screaming” and “Like Mike” provide a light-hearted take on family dynamics and personal growth, albeit with a more engaging storyline.
If you’re in the mood for something that balances comedy with a deeper exploration of relationships, consider checking out “The Bad News Bears.” This classic film captures the essence of teamwork and personal development while delivering laughs along the way.
Another film that might resonate with fans of “Bad Newz” is “Chef,” which beautifully intertwines the themes of passion, family, and self-discovery. It showcases a chef’s journey as he navigates personal and professional challenges, ultimately finding fulfillment in both areas of his life.
For those who appreciate a more dramatic approach, “Masaan” offers a poignant exploration of love, loss, and societal expectations. It delves into the complexities of relationships in a way that “Bad Newz” fails to achieve, making it a compelling watch for those seeking depth in storytelling.
In conclusion, while “Bad Newz” may have aimed to provide a fresh take on modern relationships, it ultimately falls short of its potential. The film’s reliance on outdated humor and shallow character development leaves much to be desired. However, for those looking for films that capture similar themes with more finesse, there are plenty of options available that promise a more satisfying viewing experience.
Source: Various
