In an era where immediacy and visual overload define everyday life, the exhibition "It Could Have Been Different" offers a contemplative oasis for visitors. Five photographers converge in an exhibit shaped by contingency and chance, showcasing how life and photography weave a tapestry of infinite possibilities, where each moment is a unique encounter. This photographic kaleidoscope can be viewed at the Rojas Cultural Center of the University of Buenos Aires (Av. Corrientes 2038) until June 25.
Five Steps to Understand the Universe
The exhibition occupies the entire ground floor of the cultural center, displaying the diverse visual work of artists brought together, perhaps by chance, in various learning environments under Alberto Goldenstein. This serendipitous gathering offers a multitude of perspectives on understanding and experiencing photography. Though each artist’s work stands independently, the collective impact is profound and cohesive.
Judith RodrÃguez captures the intimacy of everyday life in the precise moments where light and shadow intertwine. Her portraits navigate between public and private realms, turning the mundane into the extraordinary. During the pandemic, Zoom technology became a tool for unexpected encounters, reflecting in her images that play with familial intimacy and public space, creating a tension between the known and the unknown. Born in Buenos Aires, Judith studied Psychology and earned a master’s degree in Psychoanalysis. Alongside her psychoanalytic practice, her photography merges her passions through her unique perspective and lens.
Christian DÃaz, born in CABA and residing in Ezeiza, Buenos Aires, carries his camera daily, aiming to bring elements of his suburban life to the city’s center in this exhibition. His work focuses on spontaneous gestures and the perpetual intrigue of unanswered questions. His camera captures what grabs his attention, highlighting the paradoxical and genuine aspects of everyday life among common people and their surroundings.
In contrast, José De Rocco delves into a rhizomatic and polyphonic archive, which he describes as a whimsical selection of a whimsical view, where each image is a fragment of a larger whole. His work combines sensuality and chaos, with meticulous decision-making. He finds profound mystery in the mundane and everyday, revealing hidden depths. Born in CABA, De Rocco’s interest in photography began in 2007, leading to his exponential development in the field.
Diego Wisniacki explores the intimacy of family dinners and travel moments, capturing scenes that resonate with a universal quality. The complexity of chaos is a recurring theme, forming a bridge between the personal and the global. His role as a principal investigator at CONICET and an associate professor at UBA likely contributes to his meticulous viewpoint, enabling him to discern minute daily details and elevate them to a universal scale.
Sofia Ungar challenges traditional photographic representation, likely influenced by her background in audiovisual work. Her pieces, which deform and mark photographs as physical objects, question the very nature of the medium. By working with layers and interconnected systems, she discovers subversive strength in femininity and personal narratives. Her work often reveals that the marginal and the central are constructs.
Each photographer brings a unique vision and process, united by the idea that everything could have been different. Their serendipitous and intentional discoveries shape a compelling exhibition, testifying to the power of chance and human connection through art. Every camera click, every captured light, hides the infinite possibility of what could have been and yet, is.
AB / Gi
