The superhero genre has been inundated with countless stories, leading to a sense of fatigue among viewers. However, Netflix’s new series “Supacell” offers a refreshing take on the genre. Created by British rapper and producer Andrew Onwubolu, also known as Rapman, this six-part series is set in South London and follows six individuals who suddenly develop superpowers. The characters’ powers manifest with a flicker of yellowy-gold in their eyes, signaling the onset of their abilities.
The series features a diverse cast, including Tosin Cole as Michael, a delivery man who can teleport through time and space, and Eric Kofi-Abrefa as Andre, a single father with super strength. Nadine Mills plays Sabrina, a nurse with telekinesis, while Calvin Demba portrays Rodney, a weed dealer who can run at lightning speed. Josh Tedeku, recently seen in BBC Three’s “Boarders,” plays Tazer, a gang leader who uses his invisibility to his advantage.
“Supacell” feels like a blend of “Top Boy” and a superhero narrative, with a predominantly black cast, deep character development, and naturalistic dialogue. The series explores racial issues but doesn’t let them overshadow the characters’ personal struggles and joys. Michael, for instance, deals with his mother’s sickle cell disease while proposing to his girlfriend, played by Adelayo Adedayo from “The Responder.” Andre faces challenges finding work due to his criminal record.
The series takes its time to bring the characters together as a group, which adds a layer of realism to their interactions. Another subplot involves a secret lab facility and a sinister character played by Eddie Marsan, though this storyline progresses at a slower pace. Despite the modest budget for special effects, “Supacell” manages to captivate with its imaginative storytelling and multifaceted characters. The hope is that the series will get a second season, as the superhero genre could benefit from its unique approach.
In a different vein, Channel 4’s documentary “Skint: The Truth About Britain’s Economy” offers a sobering look at the state of the UK’s economy. Presented by economist Tim Harford, the documentary unfolds like a horror film filled with alarming statistics. Harford, a Financial Times columnist and Radio 4 presenter, delves into issues such as public services, the NHS, housing, and high taxes. He also examines the impact of the 2008 global financial crisis, Tory austerity measures, and the brief tenure of Prime Minister Liz Truss.
Harford suggests solutions like more housing, increased investment, and greater boldness in economic policies. While the documentary lacks dissenting voices, it provides a thorough, albeit grim, overview of the economic challenges facing the UK. Harford’s calm and quiet presentation style stands in stark contrast to the often loud and chaotic discourse surrounding British politics.
On BBC iPlayer, the adaptation of Holly Jackson’s 2019 young adult bestseller “A Good Girl’s Guide to Murder” brings a Gen Z twist to the classic murder mystery genre. Directed by Dolly Wells, the series stars Emma Myers as Pip, a teenager investigating a five-year-old local police case for her school project. The case involves the disappearance of a teenager named Abbie and the subsequent suicide of her boyfriend, Sal, who confessed to her murder.
The fictional town setting is idyllic, with roses around cottage doors and balmy country lanes. Despite the dark themes of sex, drugs, and racism, the series maintains a somewhat sanitized tone, likely due to its target audience. Pip’s investigation leads her to team up with Sal’s brother Ravi, played by Zain Iqbal, and the two share a warm chemistry. The series, with its six episodes, offers a wholesome and sweet narrative that feels almost daring in today’s media landscape.
Netflix’s “The Man With 1,000 Kids” is a three-part docuseries that tells the astonishing story of Dutch serial sperm donor Jonathan Jacob Meijer. Meijer, who claimed he would only donate to five families, is estimated to have fathered up to 3,000 children worldwide. The series explores the legal and ethical ramifications of his actions, including concerns about accidental incest and the lack of regulation in the donor industry.
Meijer, described as a narcissist by one parent, is not interviewed in the series. Instead, the focus is on the anguished parents trying to bring him to justice. Meijer, a self-styled lifestyle and crypto guru, is often seen in YouTube videos shot in exotic locations, flaunting his long blond hair. The series paints a complex picture of a man who views himself as a lion, adding a layer of intrigue to his already controversial story.
In summary, this week’s TV offerings provide a diverse range of content, from the imaginative and character-driven “Supacell” to the sobering economic analysis in “Skint,” the youthful mystery of “A Good Girl’s Guide to Murder,” and the jaw-dropping real-life drama of “The Man With 1,000 Kids.” Each series brings something unique to the table, making for an engaging week of television.
Source: Netflix, Channel 4, BBC
