The visual media categories at the Grammys celebrate the finest music crafted for film, television, and other formats. This year, the competition is fierce, featuring a mix of blockbuster soundtracks and lesser-known yet significant works from acclaimed artists.
In the Best Song for Visual Media category, several contenders stand out. Olivia Rodrigo is a strong candidate with her track “Can’t Catch Me Now,” the lead single from the “Hunger Games: The Ballad of Songbirds and Snakes” soundtrack. Rodrigo’s previous success at the Grammys, along with Taylor Swift’s past win for a song from the same franchise, adds weight to her nomination. However, both artists faced snubs at the Oscars.
Another potential winner is “It Never Went Away,” performed and co-written by Jon Batiste for his documentary “American Symphony.” Batiste, a recent Album of the Year winner, has a dedicated fan base, and this song’s themes of resilience and love for music resonate deeply, especially given Batiste’s personal challenges.
Reneé Rapp and Megan Thee Stallion’s “Not My Fault” from the “Mean Girls” musical film is also in the running. Both artists have had a remarkable year, and the song’s success on pop radio could bolster its chances. Additionally, NSYNC’s “Better Place,” a comeback single for the “Trolls Band Together” soundtrack, has made waves, charting in the top 40 of the Billboard Hot 100.
Luke Combs’ “Ain’t No Love in Oklahoma” from the “Twisters” soundtrack has also gained traction, peaking at number 23 on the Hot 100. Beyoncé’s “My House” from the “Renaissance” concert could be a contender, depending on its eligibility criteria. H.E.R. and Usher’s “Risk It All,” a heartfelt ballad for the “Color Purple” musical remake, is another strong possibility, given the admiration voters have for both artists. Bruce Springsteen’s “Addicted to Romance” from “She Came to Me” could also see a nomination, as he is a beloved figure at the Grammys.
For Best Compilation Soundtrack for Visual Media, several films are strong contenders. “The Hunger Games: The Ballad of Songbirds and Snakes,” produced by the renowned Dave Cobb, is a frontrunner. “The Color Purple,” featuring stars like H.E.R., Usher, and Alicia Keys, is another significant entry. The “Mean Girls” soundtrack, adapted from the stage musical, also stands a chance, especially after the restructuring of voting eligibility for musical theater.
Bradley Cooper’s “Maestro,” which compiles the works of composer Leonard Bernstein, is likely to be recognized. The Celine Dion documentary “I Am: Celine Dion” showcases her iconic discography and may resonate with voters, especially considering her recent health struggles. Bob Marley’s music in the biopic “Bob Marley: One Love” is another notable entry, alongside soundtracks from “The Book of Clarence,” “Wonka,” “Emilia Pérez,” “Heartstopper,” and “Mr. and Mrs. Smith.”
The Best Score Soundtrack for Visual Media category features strong contenders from both television and film. “Shogun,” with music by Atticus Ross, and “Slow Horses,” composed by Daniel Pemberton, are likely to be recognized. In film, “Challengers,” with a score by Ross and Trent Reznor, is expected to attract attention.
Oscar-nominated scores from “American Fiction” and “Poor Things” are also likely to be in the mix. They could be joined by acclaimed scores from last year’s “The Boy and the Heron” and “Society of the Snow.” Recent films like “Inside Out 2” and “Dune: Part Two” are also in contention, with the latter having previously received a nomination for its first installment.
As the eligibility period continues until August 30, the landscape remains dynamic, with new films and shows potentially entering the race. The anticipation surrounding which artists, composers, and films will be recognized in the visual media categories is palpable, as fans and industry insiders alike speculate on the outcomes.
The Grammy nominations are a reflection of the evolving landscape of music in visual media, highlighting the intersection of artistry and storytelling. As the awards approach, the excitement builds around the potential winners and the impact of their contributions to film and television.
Source: GoldDerby
